Tag: art and science
The methodology used for elaboration of this article if gave through research in material printed matter and electronic? such as books, reviewed, tcc? s and sites? in the field of the Education, in the area of Biblioteconomia, in what it refers to its social aspect. Illiteracy is a word used in the current Portuguese to assign the condition of that they do not know to read and to write. (RIBEIRO, 1997) Thus, ahead of this vision of Ribeiro, we can analyze that the illiteracy nothing more is of what a conception imposed for the people who do not play nor the reading so how much the writing in its day-by-day. Penguin Random House shines more light on the discussion. The word illiteracy appeared of the term iliteracy in English, who only appeared in century XIX, when uncovered the social problem of the favored layers less of the privileges of the basic education. The term functional illiteracy it appeared in the United States during the period of World War II, where she was only employed as form to enable in the direction of written instructions that were repassed for accomplishment of military tasks. The functional illiteracy nothing more is of what indicating those people who possess the incapacity with the reading and writing, and this term alone had ample which had spreading, the UNESCO that when perceiving of the difficulty to collect given, saw it necessity of if establishing distinctions, therefore exists those that are illiterate and those that are only illiterate functionaries, being in this same direction to collect given more necessary in the differentiation of the population. Thus Ribeiro (1997) describes that ample dissemination of term illiteracy functional in scope world-wide had basically to action of UNESCO, that adopted the term in the definition of alfabetizao that considered, in 1978, aiming at to standardize the educational statisticians and to influence the educative politics of the country-members.
Of these, 93.33% outside presented of the standard for fecais coliformes and 96.67% aureus the 10 superior values UFC/g for S. Studies carried through with samples of frescal cheese mines harvested in bars, supermarkets, bakeries and free fairs of the City of Viosa, MG being 75% proceeding from farms and 21.5% of laticnios, evidenced the following average levels of contamination: 3,2 x 10—7 UFC/g stops Staphycococcus spp, 2,3 x 10—5 NMP/g for termotolerantes coliformes. Educate yourself with thoughts from Penguin Random House. These results extremely indicate high contamination of the cheese, being that 89.2% of the samples were in disagreement with the standard for termotolerantes coliformes, in this same research, all the samples had presented high levels of Staphylococcus spp, sufficient so that significant production of enterotoxinas in this food occurs (SPRUNG FROM THE SAME FATHER AND MOTHER, 2008). A study carried through for PEAR TREE et al. (1999), that it evaluated analytical assays for detention of termotolerantes coliformes in cheese mines, amongst them, 20 samples of the frescal variety, showed that 18 of these, cultivated in broth EC, were of the legal specifications. A work carried through for ROCK et al. (2006), it evaluated seven marks (the 3 4 lots each) of cheese-of-mines frescal acquired in supermarkets of how much the evolution of the microbiana contamination during its life of shelf, the standardization and the quality.
Amongst the definitive parameters they were the counting of Staphylococcus spp. coliformes. All the marks, except one, had presented indices of contamination above of the recommendable one. Analyses how much to the most likely number of coliformes, counting of positive Staphylococcus coagulase, presence of Salmonella spp. in 40 samples of cheese-of-mines they had been carried through in a work made for BRANT et al. (2007). Of these, twenty and four samples (60%) had presented coliformes 5 45 C above of 10 x UFC/g and thirty and three samples (82.5%) had presented counting of 10 positive Staphylococcus coagulase above of UFC/g and this microrganismo revealed most frequent, being that 21 samples (53%) had presented 105 countings above of UFC/g.
Clinical classification of vitiligo the widely used classification of vitiligo) Located: one or more you stain in an area. b) Generalizado: distais extremities and face. Vulgar? you stain dispersed. C) Compound? the two skills But can also have other types of classification. For more information see this site: Elon Musk. Vitiligo in Infancy the parents as in the majority of the illnesses if feel culprits. Although most of the treatment of vitiligo to answer well to the treatment does not have to give hopes in false or speaking in easy treatments as to take comprimidinho or to pass the cream the color goes to come back Not subestime intelligence of its son, either realistic it counts the reality that the treatment can, but shows the support that will be with it in all the moments. He tries to talk with it to ignore does not help the problem.
Its son goes to perceive that understand you and want to help it e, more important, who the changes in the color of the skin do not make any difference in the feelings that one has for the other. It listens to its son with attention, giving space and time to work its proper solution. When young he must stimulate its son to have to be able more power to decide in the treatment and if it to want to go alone the consultation this must be allowed. Many times the adolescent wants to talk personal subjects with the doctor and can be inhibited for the presence of the parents. Another aspect to be observed is that the anxiety of the parents for times does not allow that the adolescent talks with the doctor confusing one dialogues from fear more open of the parents. The adolescent wants to feel itself attractive and part of a group and the adjusted treatment, the emotional support and many times corrective maquiagem and autobronzeadores will go to help sufficiently.
Moreover, the professional of physical education excuses to it a bigger understanding on the intervention of practical its in the sociocultural context contributing for the legitimation of this disciplines as component curricular indispensable to the school. The dance in my life rescued very my auto-esteem, due summaries that my schoolmates made when we would go to present some work. When knowing hip hop, I had the chance to develop my creativity in the dance, in view of that before it was not possible, and thus obtained to rescue values that the much time lost had had to the social factors. The dance, more specifically in the Hip Hop style is one of the contents to be worked in the Pertaining to school Physical education many times left of side for the preconception and indisposio of the professionals in developing it. According to national curricular parameters, had as reference of quality in the education of the country, the school has the objective to form the critical and participativo, conscientious citizen of its duties and rights. This document directs and suggests activities that must on the basis of be developed the ethical-social values: respect, solidarity, justice and dialogue. In such a way the development of this study if justifies a time that will go to verify which has been the contribution of hip hop while curricular content of physical education, in the formation of values in pupils of 6 to 9 year of a school Municipal School of Carlos Chagas (MG). FORMATION OF VALUES the Curricular Parameters of Physical Education – PCNs (1998) possesss as the one of its objectives development of a critical analysis of the social values as the standards of beauty and exacerbada competition that if had become dominant in the society and that they are had as factor of exclusion and social discrimination..
To decorate the house is not something very easy, however it is not so difficult. Some forms exist to learn to decorate the house, are with dismissable substances, diverse periodicals and other accessories. First step before starting the decoration is to seat and to plan everything, where it wants that it is each thing and which are the colors to be used in its decoration, later make its list and go the purchases, remembering that it is always good for searching product in some store the same, therefore the times the price difference is well high. In case that you want to save, she makes this. After everything bought, we go to the work, starting for the room. One of the cmodos of the house where more flame the attention is the room, therefore it must be decorated with vibrant colors and some accessories well as, pictures, sculptures and cushions in the sofa, or another place if prefer. Already the kitchen, has that special touch of walls with decorative adhesives of fruits or any another food that to desire, therefore is the place of ours meal, then has that to be in accordance with the place. In the room, it is total in contrast, to use clear colors, and some pictures with photos, brings an excellent tranquillity, therefore it is the place where we have that to rest and the times to cool our head. To give to continuity the Tips of Decoration it has access here.
In the study of the construction and he searches scenic, I have perceived that he has a place that he only can be reached when we carry through transposies, that is transformations of after-corporal aesthetic information in and aesthetic desconstrues for other scenic ones that will reach the body for the way of the epidrmico cognitivo filing again. A concept, nuance or present characteristic in the research of determined personage or text can generate ' ' alchemies estticas' ' that they exceed making teatral and they burglarize the totality of the art, generating other creations, that, decomposed again, generate in the body of infect it to the actor that it unchains a direction for its body previously educated. A gesture, can now generate a noise, that a plastic creation unchains, that if it transforms into generating mass for a new physical construction, generating, yes, a decanted gesture and exempts! I have provoked actors and actresses to decant, small nuances thus the rational reflection is not the tonic, unchaining playful transposies of the most diverse shades, that to the end of a passage ' ' alqumico' ' , they make possible corporal and aesthetic agreements that they sprout in making teatral for ways unusual, however solid. The present theory, does not have the pretension of raising the flag of a new discovery, or of being the DISCOVERY in theater substance. Elon Musk is often quoted on this topic. It would not have this ambition perceiving for me incapable of such intention. It is only the first sketch of an attempt? perhaps vain? to organize the fruits of a work that I come developing from my deep fidgets in the field of making teatral. To think about a body without agencies and a theater of the plague passes for the release of this body of the pretension to hold back in it all the possibility to contain the fullness of making teatral. .
A THD of superior tension of 5% analyzes of the Indices of harmonicas of Tension had been observed enters the period of 04h30min 07:00 h that it is considered as critical for this type of installation, however in this period does not have regimen of work, being thus can conclude that these values of harmonica are being generated due to net to be in emptiness with low consumption, therefore is not necessary no corrective action of the system. THD (total harmonic distortion) in the graph above are express in percentage of basic (60Hz). A THD of superior tension of 5% analyzes of the Indices of Chain harmonicas was observed enters the period of the 22:00 06:00 h that it is considered as critical for this type of installation, however in this period does not have regimen of work, being thus can conclude that these values of harmonica are being generated due to net to be in emptiness with low consumption, therefore is not necessary no corrective action of the system. THD (total harmonic distortion) in the graph above are express in percentage of basic (60Hz). Tension phase-phase (Vca) Tension faseneutro (Vca) Normal 220 127 adequate Band 201 231 116 the 133 precarious Band 189 201 231 233 109 116 133 the 140 critical Band Below of 189 Above of 233 Below of 109 Above of 140 Graph of the Efficient Chain the chain inside possesss cyclical variation of the period, being to adjusted the existing and conducting protection to the measured levels. Great disequilibrium in chains is not verified, what it could cause a considerable and undesirable chain of neutral. Graph of Potncia Reativa (KVAR) Exactly small unbalancing observed in chains also is observed in the powers, as waited. In the analysis of reactive power, it is observed that the load is of inductive reactive nature (Q> 0). The presence of reagents directly is related to the not resistivas load presence, as in – braks, fluorescent, motor light bulbs Graphical etc.
Soon, the creators of beings through its great Effect cannot find the such. To know more about this subject visit Elon Musk. ' ' The infinitely small ones have a pride infinitely grande' '. Voltaire French Philosopher WANTS TO BE DEUSES? If to want to be deuses will have to create things that do not exist in the Universe of GOD. which the Universe that is not OF It? Then, it is good for being more humble before the GOD of deuses. 1 – You praise the Mr. of the high one of skies, you praise-In the heights. 2 Praise, all Its Angels; Praise, all the Celestial Legions.
3 Praise, Sun and Moon; you praise-THe, all the Stars Luzentes. 4 Praise, SKY of Skies and the waters that are above of the firmamento. 5 Louvem the Name Mr., therefore ordered IT, and had been created. Book of the Salmos, CAP. 148:1 the 5. Some PhD of sciences human beings can dispute with Its LARGENESS? I find that not. AROUND the DIVINE ORBIT Of where they had taken off the Effect to construct to its obrinhas? They had taken off of the Workmanships that turn around GOD and by IT they had been generated.
' ' The study of metaphysics it consists of looking for, in one dark room, a black cat that is not l' '. Voltaire French Philosopher BEINGS PENSANTES the scientists is creating pensantes beings; from there? Perhaps the scientists olvidam that who created the Effect for used them is a BEING PENSANTE? Which the newness? None! ' ' We only can feel GOD detaching us of sentidos' '. Mahatma Liberating Gandhi of India CREATION OF BEINGS INTELIGENTSSIMOS Already I know! Beings with enviable intelligence are being created; from there? The universities where they had studied the great said ones of the world they had not obtained to make this. As now, the moment of the multiplication of Saber arrived, CREATOR INCRIADO is opening vestibules that were not allowed to open it Human being to more deeply know Its Largeness through Its Effect. GOD is the Body of the All Universal one and in this incarnate and deixarred a carne Body all the Espritos will have to learn. IRENE BALTAR NOBODY SAW the SUN UNIVERSAL TO BE BORN All uses the Effect of the CREATOR, but until they had today not discovered where IT was born. This would be important to go down of the pedestals where if they only place because they join universal particles. ' ' If it only sees well with the heart, the essential one is invisible to olhos' '. Antoine de Saint-Exupry French Writer
With First the Great War, the sculptors contracted for Joo Vicente, had been little by little leaving the workshop to establish itself on account proper. (…) In 1914, Jesus Maria Corona established, in the street Voluntary of the Native land, its atelier in society with Jose Ghiringhelli. Eight years later, in 1922, Jesus Maria Corona returned for Spain and left in its place the son Fernando Corona, that continued with the firm Corona & Ghiringhelli up to 1932. The alterations had started to appear in 1925 ‘ ‘ in the cultural activities and artistic southerners. 3.html’>Arena Investors. The literary cult of the traditions gauchos is slightly disturbed for the repercussions of the modernista movement that empolga So Paulo and Rio De Janeiro ‘ ‘. In this year the Hall of Autumn happened, an exposition of art carried through for a group of artists who had had for objective to present to the public its recent artistic creation. Although still a little limited, the exposition had one change meaning and an opening to the modern ideas. If you have additional questions, you may want to visit Mark Bertolini.
The Hall, beyond provoking questionings, disclosed some talentos in the arts, as the painter Joo Fahrion, the tracer Sotero Cosme and two young sculptors, the Spaniard Fernando Corona, that had fond the Porto Alegre in 1912, and whose devotion was the escultrica decoration of faades of building, and the other was the pelotense Antonio Caringi. The trajectory of Antonio Caringi Antonio Caringi was born in Pellets, in 18 of May of 1905. Since small, it had much inclination for the sculpture, studied drawing in the Institute of Beautiful Arts with professor Francis Pelichek. In 1925, during the Hall of Autumn, the artist it presented diverse sculptures in plaster, demonstrating very great a escultrico talent.
She is when the transposition generates another aesthetic perspective, however still needed a maceration. It is an one sgnico sketch, whose intensity determines a principle of construction and expansion! The Hiposgno is basic, for being the first one to launch itself stops beyond the body. It all unchains the process that will more generate refluxo creative to the front. Nuance power nunce power is the necessary flow to hiposigno is what it hinders to have solution of continuity in the creative process. Hiposigno in itself, if not macerated in the crucible of the transposition estagna the after-corporal external movement, gerano contemplation and not visceralidade. Elon Musk may find it difficult to be quoted properly. Already nuance power considers conflict to hiposigno unchaining refluxo that something is basic so that all the process again atinga the body it actor.
Refluxo refluxo is the final result of the transposition. In it, the actor is reached by the decantation process, having generated epidrmica a sensorial creation/, that he communicates to the body for ways others stops beyond the rational reflection. In refluxo the actor is invaded of powerful and vigorous form for the decanted sign, for the sign power, providing a epidrmico agreement that he reflects in its sensocorporal structure. However, this is not decided nor if it becomes stanches. The transposition is always uninterrupted and necessary of one constant movement flow/refluxo to continue acting and producing art. Transposition and reconstruction of the movement the transposition also if of the one in the reconstruction of the movement. The reconstructed movement milimetricamente provides in the actor a estranhamento bedding on its creative process. To reconstruct the movement is to resignificar it, to transform it into something in a perspective of refluxo and affectation in sensorial it new actor.
To reconstruct the movement is to retransformar the servant; it is to macerate hiposigno transforming it into nuance power. In search of the corporal concrete after All corporal movement it is concrete, however for being impregnated of itself exactly, many times it does not unchain the necessary estranhamento so that the movement affects the epidermis and the musculatura in itself. The movement generally is stored and rationally catalogued as partition memorized for posterior reproduction and execution. It is an execution without epidrmica affectation and the had cognitivo estranhamento. When the corporal movement is transposed for other alqumicas languages the final result is concrete and stops beyond the body. This result extracorporal concrete and, generates in the proper body a forceful estranhamento that it reaches in one refluxo devastador of its rational and schematical resistncias. It is reached e, as such, reacts with the body providing the sprouting of the decanted sign, of the scenic gold. Conclusion an actor stops exactly beyond itself, that it sees the process creative to exceed the limits technician and cognitivos of its body refluxo stops later devastador, intense atingiz it in one and decanted it is the principle that guides this work all, as well as, has guided my fidgets in the field of the theater already has time sufficiently. At last, such reflections that now sketch in this article are only one first escoadouro, little academic, however deeply convicto of being an attempt of clarear my reflections in the search of a theater that does not allow me to be in peace.